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  • The Viking of 6th Avenue

    The Viking of 6th Avenue

    For the first time on film, THE VIKING OF SIXTH AVENUE examines the unbelievable life and work of Moondog, the New York street icon, internationally renowned composer and ultimate cult music figure, whose influence on contemporary music continues to this day.

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  • Code Black

    Code Black

    In his bold and thought-provoking filmmaking debut, physician Ryan McGarry gives us unprecedented access to America's only 24/7 medical safety net—the emergency department—where gun shot and heart attack victims are rushed past hundreds of waiting patients who have nowhere else to turn.

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  • Miles Ahead

    Miles Ahead

    Don Cheadle's directorial debut brings Miles Davis to life as he busts out of his silent period with an unlikely partner in crime, guns blazing, to steal back his music, and conjure his long lost love.

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  • Sundance Gates 2014

    Sundance Gates 2014

    Sundance Institute, in partnership with the Bill & Melinda Gates Foundation, invites YOU, the storytellers from around the globe, to be a part of their first-ever Short Film Challenge.

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  • The Overnighters

    The Overnighters

    Desperate, broken men chase their dreams and run from their demons in the North Dakota oilfields. A local pastor risks everything to help them. THE OVERNIGHTERS premiered in competition at the 2014 Sundance Film Festival.

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Film Presence is a boutique marketing and outreach company co-founded by Sara Kiener and Merrill Sterritt. Film Presence combines event-based theatrical screenings with strong outreach partnerships to boost box office sales and maximize the word of mouth leading up to a theatrical engagement. Outreach projects previously managed by Film Presence include Martha Shane and Lana Wilson’s AFTER TILLER, Morgan Neville’s TWENTY FEET FROM STARDOM, Emad Burnat and Guy Davidi’s 5 BROKEN CAMERAS, Lucy Walker’s WASTE LAND, Frederick Wiseman’s LA DANSE, and Rob Epstein and Jeffrey Friedman’s HOWL.

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Could Tugg Be For You?
"5 years ago, I interned at a reputable distribution company that no longer exists. 3 years ago, I placed trailers in art house theaters that have since changed owners multiple times or…no longer exist. Throughout, I worked on great films that wouldn’t find their way to a theater today and I worked on campaigns that were banking on ad buys and (fingers crossed) strong reviews. Those days are over, for the most part. And I’ve joined the band of noisemakers encouraging filmmakers to consider alternative means of marketing and exhibition."